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] 2010年4月17日 下午 04:11:16 一天下午,漢寶德拿著楊樹煌和柯錫杰的畫展邀請卡左右看著,他說怎麼搞的攝影看起來像繪畫,油畫看起來又像相片,畫家何必那麼忙呢?
黃于玲
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]2007年10月25日 下午 01:26:15 The motivating force behind recent oil paintings by Lin Fu-nan is that he is clearly keen to craft a monument for the times. “The Native Returns 2007” marks an attempt to depict the depth of the artist’s feelings for the ancient capital of Tainan through abstract painting. To that end, the canvas is infused with the artist’s feelings for the city, an emotional connection born of a long relationship between Lin and Tainan city
Hsieh Tung-shan (art critic)
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]2007年10月10日 下午 12:59:14 If artists are classified by the era in which they create, then Yang Shu-huang belongs to the baby boom generation. However, a review of his works is like looking at paintings by much older Taiwanese artists.
Hsieh Tung-shan
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]2007年10月4日 下午 01:39:39 Artistic creation is much more than something we need in our lives, it is an activity essential to the very essence of life itself. As I think and paint I self-consciously wander between reality and imagination, pacing back and forth in search of answers in a place of complete spiritual freedom.
Liu Yung-jen
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]2007年10月4日 下午 01:29:19 Very few artists create because of “respiration” but it is certainly one way in which to express the relationship between “art,” “life” and “living.” The following are a few observations on the artist’s creative process based on a conversation with Liu Yung-jen. They offers a number of intriguing insights as to why his latest work is entitled “A Journey of Deep Respiration” .
Sun Li-chuan
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]2001年11月21日 下午 05:52:02 看著《薇薇阿尼廣場》這幅畫,我問Renoux:「為什麼不畫樹葉?」他說,樹枝的線條很美,而且樹葉太多會擋去建築的視線
黃于玲
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]2001年6月13日 下午 06:13:03 1990年初,我們在赫努的巴黎工作室及其經紀畫廊手中挑選
了二十一幅油畫、版畫;想像中的巴黎,親眼見到的巴黎,赫努筆下
的「巴黎」,漸次轉換了不同的面貌──
黃于玲
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